It was a crisp autumn evening when I found myself invited to a private conversation with Seka Black. The setting was intimate, a cozy café that was about to close, with only a handful of patrons lingering over their coffee. Seka and I had met through mutual acquaintances, and she had expressed a desire to discuss a project she was passionate about, one that she felt I might be able to help with.
As we sat down at a small table by the window, the atmosphere felt relaxed, with the soft hum of background music and the occasional clinking of cups. Seka, dressed in a simple yet elegant outfit, smiled warmly as she began our conversation.
Seka Black, a renowned figure in her field, had always been a person of interest. Her professional demeanor and charismatic presence made her a favorite among fans and a respected colleague among peers. Yet, there was a side of Seka that few got to see—a side she kept private.
Cohn+Duprat
Luego de cinco años en México como Head of Fiction de Fremantle Latinoamérica, Manuel Martí regresó a Buenos Aires en 2025 como productor ejecutivo en Cohn+Duprat en el desarrollo de series y películas. El ejecutivo construyó gran parte de su carrera como director de Desarrollo y Producción Internacional de Polka, empresa en la que trabajó desde 2014. Bajo su cargo se hicieron producciones como Signos y El jardín de bronce, entre otras. Martí también trabajó en Turner durante ocho años en el área de Producción. Anteriormente fue director de La Produ y director creativo de Rock & Pop TV.
